In the June 3, 2014 edition of the New York Times, Jon Caramanica’s “critic’s notebook” article, “Retro Rap That Puts Women Down” speaks to an issue long dear to my heart: the apparent – current - stance of too many young African American males that has misdirected a tradition of love and romance in popular music from one of heartfelt respect, longing and true love, to misogynistic misinterpretation of what it means to be powerful in relationships to women.
The Biblical Scripture, “ Submitting yourselves one to another “ ( Eph: 5,21. ) has never been effectively manifest in the general population. Women have been mistreated, at least as long as I can remember in my own observations of life in our America: forced, however subtly or persuasively, to “ submit ” to men ( i.e., scripturally, to their husbands ( Eph: 5,24.). This is a complex subject, but it seems to me that if society is going to select scripture to justify these relationships, it will be much healthier to select the former: a righteous power emerges when women and men submit to one another in the fear of - awesome love and respect to – God.
We are equals. History shows that women are still emerging from under this international religious, corporate and intimate-relational oppression. I only hope that the long tradition of religious faith in the African American Community can find a music that will consistently honor women and their life-saving role in the survival of a people – from the time of American slavery to the present. Mr. Caramanica’s article should sound an opportunity for young song writers, producers and recording / concert artists to establish a new and consistently healing music, one based in the religious faith of the best traditions of their forbearers.